The Tanks at Tate: Olafur Eliasson and Susan Philipsz

Darkness and light, experimentation and tradition, independence and the institution; Tate Modern has always been a space of contradictions. It’s imposing, seemingly impenetrable brick façade welcomes all visitors – to irreverently pay their respects at the temple of modern art.

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From Degas to Picasso (or, Revolutions and Institutions)

The Ashmolean’s latest exhibition Degas to Picasso seeks to tell ‘one of the most compelling stories in the history of art – the rise of modernism’. Self-styled as a ‘ground-breaking’ narrative through this truly creative epoch, epitomised by the bohemian atmosphere of twentieth century Paris – it does indeed tell a truly compelling tale. As…

New Landscapes and Old Masters

Last weekend, I visited Liu Dan’s New Landscapes and Old Masters exhibition at the Ashmolean Museum, Oxford. It was one of the most beautiful and most intellectually exciting shows that I have seen for a very long time – and spoke not only to the nature of aesthetic appreciation and presentation, but also the processes…

Short Circuit

Last weekend I was lucky enough to catch ‘Short Circuit’ on the very last day of the exhibition. Short Circuit is a reassessment of the archetypal touring show – currently based at Stryx’s studios at Grand Union, Birmingham.

Upfest Bristol 2015 – A Photo Update

Yesterday, I attended Upfest Festival in Bristol’s Bedminster and Southville. Its Europe’s largest, free street art and graffiti festival – with over 250 leading artists demonstrating their formidable skills. The artists have travelled from twenty-five countries, and across the UK, to paint live on 30,000 square foot of surfaces in front of 25,000 visitors. It…

Cally Spooner: Post-Production at Spike Island

Currently on at Spike Island, is Cally Spooner‘s Post Production.  It is an unusual show (on until the end of June), and essentially consists of two video pieces. You start at the end, with the credits rolling, in a near-empty, bright white space, and then move onto to the ‘main exhibition’ – a pitch black…