New Landscapes and Old Masters

Last weekend, I visited Liu Dan’s New Landscapes and Old Masters exhibition at the Ashmolean Museum, Oxford. It was one of the most beautiful and most intellectually exciting shows that I have seen for a very long time – and spoke not only to the nature of aesthetic appreciation and presentation, but also the processes…

SARAH LUCAS: The Venice Biennale, France and Feminism

The 2015 Venice Biennale is now underway, and chosen to represent Britain, is artist Sarah Lucas. Her show, entitled, I SCREAM DADDIO is said to “reprise and reinvent the themes that have come to define her powerfully irreverent art – gender, death, sex, and the innuendo residing in everyday objects.” The show revolves around themes…

Examining Miró’s Reality

This week saw the birthday the legendary Catalan, Spanish painter, Joan Miró  – born 20th April 1893. Earning international acclaim, his work has been interpreted as Surrealism; a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. But in this article, by looking at one painting from 1927 – I wish…

Edmund Clark and Peter Schmersal at Flowers Gallery

This week saw the opening of two exhibitions at Flowers Gallery: the work of photographer, Edmund Clark and the painter, Peter Schmersal. Although two very different shows, with very different atmospheres ­– the themes raised by each artist successfully manage to complement and elaborate on the work of the other. Peter Schmersal (a German artist from Berlin) produces…